Let’s have a look at our first Jazz pose. This pose is suitable for kids from about age 7 and up.
In this image you will notice that the legs are slightly turned out, but not too much. Always, make sure there is turn out. The feet should never face inwards, or be ‘pidgeon-toed.’
The dancer pops one hip out. Be careful that they don’t pop the hip backwards, which will cause them to have a sway back. Arms are up and out with ‘jazz hands.’ Jazz hands have all the fingers splayed and stretched.
Even though the arms are up, the shoulders are level and down, so that the dancer’s neck is visible. A common technique error here, especially with really young dancers is to raise the shoulders. This kind of gives the appearance of football gear, and the long line of the neck is lost. We always have to see the dancer’s beautiful long neck.
This variation of the pose has the dancer put one hand on the hip and one on the head. She is still putting the weight onto one hip, but now bends that support leg slightly and ‘pops’ the other toe onto a high ‘releve.’ (See the post on terminology for more about releve.)
Notice how from the knees down, both legs are parallel to one another. This creates one line. Dance is all about creating beautiful lines. Both feet are turned out. Shoulders are pressed down, even though one arm is still up.
WELCOME! SO GLAD THAT YOU’RE HERE!
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Next Member Meeting: TUES JULY 21, 7:00 PM – Estimated time 1 hour.
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YEARBOOK WORKSHOP – ZOOM Thurs July 9, 5 pm EST.
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JUNE PLAYBOOK WORKSHOP MATERIALS
Here is the link for the downloadable workshop materials: https://www.dropbox.com/sh/0lr29dyszratk4v/AACUHYseVme1oy3gKhUwSf3Wa?dl=
These materials will be available for free student download until July 9th. After that date this becomes a Paid Workshop.
BONUS
June 30th will be the last date that I accept one-on-one consultations with new members to really kick start your growth in boutique volume photography. If you haven’t booked a consult yet, just reach out. Use the FB group, or send me an email or FB msg. They all work!
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Content will be added daily over the next 10 days as we launch and populate the sites.
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UPCOMING WORKSHOPs & Library of Information
This area will see almost daily updates as we populate the site with initial content for our members.
workshop – Creating a yearbook
Not only is the Yearbook a great way to commemorate the dancer’s year in photos, it’s also a fun way to add extra $$ to your bottom line. Yearbooks can also be used as a lucrative fund raising tool for the dance studio, which will likely net them a greater return than the commission cheque your competitor is offering them. AND BEST OF ALL … you don’t have to give up any of your hard earned profits!
In this workshop we will learn the theory and usefulness of the playbook and I’ll be demonstrating assembly in the ZOOM meeting. There will be plenty of downloads for you to follow afterwards to make the process repeatable.
Learn How To:
- – Add headshots to your shoot photoshoot.
- – Liase with your studio to access identifiers.
- – Customize a pre-designed template.
- – Insert images.
- – Change Backgrounds.
- – Fundraise with an advertising campaign.
- Our ZOOM meeting will be an estimated 1.5 hours in length as we build a Yearbook together.
DATE: Thursday July 9 at 5 pm EST.
LIBRARY -Latest Updates
Aside from the links below, use the LIBRARY link in the main navigation for more updates. All content will be moved to the main LIBRARY shortly, and this space will be used for alternate content.
Marketing know how from a-z.
- THE INFORMATION FOLDER PACK – Word Templates to get you started. Click HERE for Dropbox downloads.
- PICTURE DAY POSTER TEMPLATE
A layered .psd template for creating your own poster.
Tutorials, documents and education related to the set up and photography of volume artistic sports.
Exploring sales systems for profit
General tutorials, documents and need to know information.
- Nancy’s Roadmap to Getting Started. Click Here.
THE BOUTIQUE VOLUME GOALS
I would never pretend to be the ultimate expert on anything in photography. For every type of shoot, in every area, with every studio, there are going to be a dozen or more different ways of doing things, but, only one BEST way of getting the job done for YOU.
- My number one goal is to help you find that one BEST way. I succeed when YOU succeed. So, I’ll not only be showing you how I do things, but also how others are successfully implementing various systems of shooting and selling. We’ll discuss multiple sales techniques and interview people who actually have them in action. We’ll compare setup, and gear, and then try to answer all your questions in our monthly meetings.
- I want you to actually be able to learn and compare methods with CLARITY. My aim is to keep the information coming in small bite size segments so that you can learn without that aweful feeling of ‘overwhelm.’
Like I said … when you succeed, I succeed with the Boutique Volume site! Please don’t ever be afraid to reach out to me with your questions. I may not be able to answer immediately, but I will answer. And if I don’t know the answer, I’ll bend myself into a pretzel to try and find the answer for you. :) The Facebook group is the best place for all your questions at the moment. I’ll be checking in there regularly.
The title may be deceptive. Splits don’t just happen in dance. You’ll see them in cheer, gymnastics and skating. The technique for splits remains the same regardless of the sport, and regardless if they are happening on the ground or in the air. So, lets take a look at the technical side of splits.
Front facing splits, also called ‘Russian Splits’ especially if done in a jump, should have both knees facing up.
The Contemporary genre is a rather raw form of dance that moves away form traditional rules, yet may borrow styles and poses from a wide variety of dance genres. This style portrays the world through the eyes of the dancer’s interpretation of the music.
This pose is suitable for a wide range of ages, although you will find that most contemporary dancers are in their teen. Feet are turned out. The front foot is on high releve (see dance terminology post) and both legs are bent. The back is arched, causing the arms, torso and front leg to form an S curve. Photograph this from behind and to the side of the dancer.
This pose can be done smiling at the camera, with the focus off camera of with a very serious face. All are very contemporary. Have the dancer go down on one knee with the other leg extended to the side and turned out. Fingers are extended and the elbows are bent until the upper arms are, or are very nearly parallel with the floor. This pose does not work with low cut costumes for obvious reasons, but is a great contemporary pose if the costume has a high neckline.
A fun pose that borrows from Jazz. Works well for younger dancers. One leg is crossed behind the other. Pop the heel up high on the back foot. Both legs are turned out. NEVER have the feet face inwards. Both knees are slightly bent. Arms are down and bent at apporximately 90 degrees at the elbows. Fingers splayed like this are known as ‘jazz hands.’ Big smile for Grandma.
You’ll want to know how the presentation and finishing pose for boys differs from ladies. To learn more about Presenting and Finishing and how important it is to know these terms, search for them in the library to read the post on the pose for ladies.
Look for:
- Straight legs together.
- Flat feet on the ground.
- One arm up.
- Fingers together.
- Arm parallel with the head and neck.
- Palm can be facing in or out. I have seen both.
- Second arm out horizontal or straight down, parallel to the leg.